Harbour bollard
Cast for the Gothenburg quays — forty-one of the original sixty still in service, tarred black and polished bright on top by a century of mooring lines.
A working iron foundry. Grey and ductile iron, poured by hand into sand moulds, exactly as it was on the first morning.
Heat Nº 8,412 · Furnace 1,481 °CGjuta opened in 1898 as a jobbing shop on the Bruksgatan canal, casting stove doors, sash weights and machine bases for whoever walked in with a pattern under their arm. The order book from that first winter survives; the handwriting is better than ours.
A century on, the work is the same in every way that counts. Pattern, mould, melt, pour. A 1.2-tonne induction furnace stands where the coke cupola stood, and every mould is still rammed and knocked out by hand. We cast what machines can't be bothered with: the one-off, the obsolete, the too-heavy, the no-longer-made.
Cast for the Gothenburg quays — forty-one of the original sixty still in service, tarred black and polished bright on top by a century of mooring lines.
An iron alarm bell struck every noon until 1967, when the sirens came. It hangs in the station museum now; the clapper is ours too.
Spiral casing for the Klarälven small-hydro scheme, machined in-house on the 1911 planer. Still passing water sixty metres under the road.
The coke cupola's final heat, poured into forty ingots and kept. One sits in the office window; the rest went to the men who tapped it.
After a nine-year silence the furnace was relit for a single commission: replacement window weights for the town hall. We never let it go cold again.
Pig iron, foundry returns and scrap steel, weighed to the kilo against the alloy sheet.
The induction furnace takes the charge to 1,481 °C in ninety minutes. We check carbon by wedge test, not by faith.
Two minutes of complete attention. The ladle does not wait, and neither does the iron.
The mould is broken open at dawn. The casting comes out black, steaming, and roughly the shape of a promise kept.
Gates and flash ground off by hand until the surface reads like skin, not like a process.
We take pattern work from 5 kg to 900 kg — architectural, marine, machinery, and the occasional bell. If it was ever cast, it can be cast again.