One point, at the base
Every letter starts as a single red seed on the baseline. The glyph's silhouette is measured into a coverage mask — the counters of an e or an o stay hollow, because nothing is asked to grow there.
A typeface that grows
Plant a word below. Each letter climbs from a single seed along a space-colonisation vein skeleton — branching toward light, thickening where it pays — until the strokes knit into finished type. Drag the axis to scrub any word from seed to bloom.
Every letter starts as a single red seed on the baseline. The glyph's silhouette is measured into a coverage mask — the counters of an e or an o stay hollow, because nothing is asked to grow there.
Hundreds of attractors scatter inside the glyph. Each pulls the nearest tip toward it; the tip grows a short segment, the reached attractors die, and the front advances. Veins fork wherever two attractors tug in different directions.
Each vein carries the weight of everything above it — trunks widen like a real branch under Murray's law — until the swelling strokes merge and the letterform fills. Look closely at a finished glyph: its vein skeleton is still there, under the ink.
One slider drives four of Roboto Flex's real axes at once — weight, width, optical size and grade — a synthesised super-axis we call growth. It is the same idea the canvas above renders literally: a single control that moves a shape from the barest seedling to full, watered bloom.
“We stopped drawing letters. We plant them, and read what comes up.”