Generative Assets · cone ten · build notes

A firing is a promise
the fire keeps or breaks.

CONE TEN is a fictional community gas kiln in North Fremantle, fired on the last Saturday of every month since 2011. The page has one job: let a visitor program a genuine firing schedule — ramps, holds, a soak — then fire it and unload four pots whose glazes were computed, honestly, from the curve they drew.

01Palette

Every colour is drawn from the kiln itself — the dark of the chamber, the brick, the light coming off the ware at temperature, and the two glazes worth arguing over.

Chamber
#191008 — the near-black inside of a cold kiln; the page's ground.
Kiln brick
#3A2A22 — hard refractory brick; panels, doors and the god's ledge.
Heat
#FF3D00→#FFE8A0 — the colour of the glow from 900° to 1300°; the firing curve is stroked in it.
Cone pale
#FFE8A0 — the top of the heat scale; the live pyrometer readout.
Celadon
#A8C5B4 — river-jade glaze, kept cool and scarce; links and the △10 marker.
Slip
#F0E4D0 — warm off-white for headings and body text.

02Type

Cone Ten

Instrument Serif. Its italic is doing the loud talking — the hero, the section heads and every verdict are set in it. It reads like a hand-lettered kiln log: warm, slightly irregular, and unafraid at 118px. The one moment of bravery is the hero's dropped, heat-coloured meant.

FIRE THE KILN

Karla. A plain grotesque for the instrument — readouts, warnings, chart labels and the controls. Tabular figures keep the pyrometer from jittering; wide uppercase tracking turns labels into panel signage rather than prose.

03Techniques

The kiln is real in the ceramic sense. A cone doesn't measure temperature — it measures heatwork, the integral of heat over time. The model samples your curve minute by minute and accumulates exp((T − 1288)/22) above 700 °C, calibrated so a 60 °/h climb bends cone 10 at exactly 1305 °C — sooner if you soak, later if you sprint. That single number, together with your peak, your soak minutes and your cooling rate, is fed to each glaze's own maturing window: tenmoku crystallises to tea-dust on a slow cool, copper red greys out without its soak, shino blisters past cone 11. Nothing is faked or rolled at random. Draw the same curve and you unload the same four pots — that is the whole point of the piece.

04Iteration log

Pass 1 — Craft

Pass 2 — Depth

Pass 3 — Hardening